Norman McLaren was one of the most significant abstract filmmakers of the British inter-war period. Born in 1914 in Stirling, Scotland, he entered the Glasgow School of Fine Arts in 1932, where he became interested in film and joined the School's Kine Society. His earliest extant film, Seven Till Five (1933), a "day in the life of an art school", was clearly influenced by Eisenstein and displays a strongly formalist attitude.(more)
This is a picture of the envelope I received. On September the 29th I received a letter sent from London Metropolitan Police’s forensic department. The envelope contains Volan’s death report. I am still recovering from such a terrible moment. As Volan’s closest (and perhaps sole) friend I am in the obligation of publishing these lines on his own blog, as it was his last will. In strange circumstances my dearest friend Volan passed away in the dawn of the 23rd of September in Homerton Hospital in London. His body was carted off from the churchyard of Saint Paul’s Cathedral after a mad night out with Siobhan (Sweeny), -an Irish-Scottish blues singer whose Volan had just met few hours before in the surrounding areas of Anexo Bar, close to Farringdon Station. At the moment that the ambulance arrived at the place Volan showed a critical state and almost without vital signals dying a while after indoors, in the above mentioned hospital. The death certificated shows a very cryptic language
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Este man es el padre del estilo de Gondry, me sentí viendo Around the world y Star guitar en versión magnificamente simplificada.
Muy muy chévere su blog.
Un saludillo