Nevermind the bollocks!

DON’T PANIC POSTER “Drawn real-size on the theme of ‘war’, this is a hand-coloured piece using Copic and Pantone markers. This was a subtle way at getting back at some people who had been copying my work in the US.” See the website

Gianluca is one of the fresh wave of new talent we’re seeing coming out of Argentina at the moment. He’s self-taught and worked at the motion graphics studio Punga. Currently he’s with the graphic design studio Rock Instrument Bureau. During his short career he’s worked for clients including Nike, Pony, MTV, Cartoon Network, Zune, mun2 and Discovery Networks. “ I love type and illustration, and particularly like it when both are present,” he says. “I’ve always been really inspired by music, it has been a trigger for many projects. Working at Punga was a great experience but my true passion lies in print, so that’s probably why I left .” Lala This series of images represents Gianluca’s friend Lala and various aspects of her personality. “She’s the weirdest of my friends. This illustration is just the tip of the iceberg,” he says. See more at: www.gianlucafallone.com Post via: Computerarts.com

Monkey King, as mentioned in an older post, is a traditional Chinese story. Several TV series have been made on this wonderful tale, but this clip has got all my attention as apparently it is a part of the classic Chinese animation on Wu Sun Kong, The great monkey king...

Freelance illustrator and graphic designer Chris Ede graduated last year with a first class degree. He is now working to develop his career within the illustration industry.

Cool portfolio by Gemma Correll at www.gemmacorrell.com

Jeremyville has conceptualised, produced and designed the first major book in the world on the designer toy movement: Vinyl Will Kill!

Norman McLaren was one of the most significant abstract filmmakers of the British inter-war period. Born in 1914 in Stirling, Scotland, he entered the Glasgow School of Fine Arts in 1932, where he became interested in film and joined the School's Kine Society. His earliest extant film, Seven Till Five (1933), a "day in the life of an art school", was clearly influenced by Eisenstein and displays a strongly formalist attitude. (more)

Most of Atkinson's illustrations are figurative, but made using abstract processes with each form as a shape or each line as a texture. (more)

Neopod is the online portfolio of digital designer Liam Wolf, providing simple and effective digital design solutions for the web. The name Neopod is derived from 'Neo' meaning new and POD standing for ' Place Of Design '. ( visit )

Badiu's work is a mixture between Cinema 4D and Illustrator, the result is a range of mix media images that Badiu communicate his ideas affectively. (see) .

Sahatarch Pittarong , 23, is a freelance illustrator and a graphic designer. Check out his website. Awesome indeed.

Get the glass es un juego de mesa producido en 3d como parte de la nueva campana de 'got milk' en USA. El objetivo del juego es conducir a la familia Adachi sobre el tablero hacia la nevera, entonces ellos pueden obtener la leche. Usando el raton, el jugador lanza el dado y empieza a avanzar. Al ir avanzando, las casillas generan uno de tres tipos de cartas. Las cartas de la suerte autorizan al jugador para avanzar, las cartas malas devuelven al jugador y las cartas 'inteligentes' requieren que el jugador resuelva una pregunta y asi continuar. Los agentes que cuidan el refrigerador van tras las huellas del jugador y estan al acecho... el resto es innecesario... Interesante el juegito, eso si...toma su tiempo. Los graficos son impresionantes, la interactividad muy interesante al igual que toda la narrativa que maneja. 'Get the glass' es una muy buena respuesta al problema de como implementar un juego de mesa en una pieza grafica digital interactiva agregandole c...

THE SICK MUSE Poor Muse, alas, what ails thee, then, to-day? Thy hollow eyes with midnight visions burn, Upon thy brow in alternation play, Folly and Horror, cold and taciturn. Have the green lemure and the goblin red, Poured on thee love and terror from their urn? Or with despotic hand the nightmare dread Deep plunged thee in some fabulous Minturne? Would that the breast where so deep thoughts arise, Breathed forth a healthful perfume with thy sighs; Would that thy Christian blood ran wave by wave In rhythmic sounds the antique numbers gave, When Phoebus shared his alternating reign With mighty Pan, lord of the ripening grain. Charles Baudelaire

Lars Fiske , an interesting Norwegian illustrator portfolio.

Just posting a little drawing I made the other day. I think I sketched it out while waiting for a train (It took about 10 minutes to wait for the bloody train) last year. I inked it last week.

I'm the man who wanders. Met the gal who walks... trampling the dust, sinking into the night... I am sexual said the gal who walks, I am a loner said the man who wanders. Daring digesting digested dust. drunk, skunk. Push it push it push... are you a pusher?... no sexy... I am the man who walks... I will use you-just do it - walk home- I want to walk onto you mountains. Hold my hand, let's walk until our skin, skunk, sunk, dried dies...

I have and enemy, it resides inside myself, I shall fight it but, Yes!!! Gonca said. Gonca... flower bud... I remember the sunsets in the south... the sun, red, fat, knackered, dragging down, and you and my enemy and I, staring at it until our pale, white-blueish gal crowned the universe, and the cigarettes awaited for us, down there in by the sea, Yeah Gonca, I'm still fighting the enemy, yours and mine but now on my own, but now chaffed, but now faded, pale, and alone. Right Gonca! where've you gone?, Godness Muslim. Gonca. Let us see again the sun, redish, fat and alone, release its light upon our face, and the face of the enemy and myself and you. Gonca where have you been, where've you gone? I am still fighting but, I know I will be defeated.